The Boston Greenway and the singing bridge

May 16, 2016

Another instalment from a trip made last year.

When I heard that there was a park that had been built over an old freeway running through Boston, I had visions of the Promenade Plantee in Paris – raised walkways surrounded by clambering growth (at least that’s what I remember). I was a little disappointed that the freeway had been dismantled, the cars re-routed under ground and the parks set at ground level with little of the luscious planting of my dreams.  The spaces were neat, flat with many hard surfaces (I include tidy lawn in this) but they did provide an easy walk through the centre of Boston and many sun filled places to stop and view the modern city’s large towers from.  They also functioned well as an outdoor gallery, the lines of the park and buildings complimenting the sculptures.

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A TRANSLATION OF ONE LANGUAGE INTO ANOTHER – Lawrence Weiner, 2015

Whilst looking at the newly installed Lawrence Weiner mural a girl who explained that she saw the wall regularly on her way to the dentist said she preferred the old mural.  I shared my impression of the dazzling dense colours and asked her to not give up on it yet and give it another look each time she passed. Looking at the range of comments made about past murals on the site it is clear that each mural has been deemed a success by some and a failure by others, at least they have been allowed the time to grow in peoples minds.

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Just around the corner was a set of maquettes from an architecture competition, I think, my favourites of which worked well with the bright light of the day.

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A similar construction material to the Serpentine Pavillion 2014 around which I saw a man with bread, veg and fish strapped to his head wander and pose.

 

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As If It Were Already Here – Janet Echelman, 2015

I’d seen some of Janet Echelman’s work in print before but was delighted to find her living and breathing work on the greenway. After being impressed by the graphic and spatial relationships between the city and the previous works mentioned, it was wonderful to see something so huge, delicate and constantly shifting within the city…almost like installing a contained weather system into a small urban space.

Gemma phone_20150926_041Gemma phone_20150926_046I’ll finish this post with a picture of a singing bridge found on a windy day and a Karel Martin print seen later on the same day at the Le Corbusier designed Carpenter Centre for the Visual Arts. The bridge incidentally sung by sounding different notes as vehicles of different weights  drive over at different speeds, making singular notes or harmonies depending on how busy the bridge got.  Unfortunately my mobile phone recording does not do it justice so I won’t include it here. Happily the prints mirror the grid pattern that created the notes and give a sense of the singular and harmony.

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