book post

February 15, 2012

In the autumn I made the biggest edition I’ve managed so far – 100 little concertina books. With images drawn and screen printed from the etchings I had made about the special wilderness found, for example, under tramlines and between canals and railways.  As I’m not the best at anything and hate wastage, around 40 of the 100 books are a little like special wilderness themselves – smudgy, wonky or a bit scruffy. These 40 are being sent out across the country to 10 wonderful destinations where kind people will start their journey off into who knows where.  I hope to keep some sort of track of them here.

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Gum Dichromate

October 19, 2011

tri-colour of an amzing fuzzy tree in Rye

2 colour photo of a place I love in norfolk, its the gap between the trees that does it, it has a telegraph pole running through it's middle.

I spent 2 lovely days at Hot Bed Press last weekend on a workshop taught by John Brewer who specialises in alternative photographic printing methods. Gum Dichromate is like a photographic watercolour process, so you can build up washes of an image. I think we were all surprised at how many prints we could make in the time we had and it all got a bit giddy on the last day – so much fun and some results I’m quite happy with. The best thing about it is that it’s best to work with digital photos – finally a way ( I can handle) of adding magic and depth to digital pictures.

20:20

October 19, 2011

I’ve been crossing my fingers whilst suicide printing an edition for the 20:20 print exchange organised by Hot Bed Press.  I think it came out ok in the end.  The print carries on a theme started in my book The Bridges of Budapest where greenery is exploding from the page, this time I was thinking of the sounds and smells murmuring in Matthew Weltons’ The Book of Matthew, hence the murmuring.

 

New work

October 19, 2011

trial print for the journey series,

I made some new prints for the Hot Bed Press residency at Warrington Art Gallery and Museum.  We were asked to respond to one of the themes in the Inspired to…exhibition that showcases work from the collection under the categories music, seasons, love and journeys. I’ve spent the summer sitting in random places meditating on the wild spaces between paths of travel we cut through the landscape. It seemed a natural progression to use these shapes in the prints. It’s hard to see, but the whole print is debossed, honest. There are four prints at Warrington as part of the Warrington Arts festival, showing until the 27th October so have a look if you can. Among others showing are Mandy Tolley and Kelly Dyson who are both brilliant printmakers.